Poster Old man cowboy You don't stop riding when you get old

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Poster Old man cowboy You don’t stop riding when you get old

The postwar Poster Old man cowboy You don’t stop riding when you get old scholars tended to think that Weaver, Harvard psychologist Henry Murray, and Mumford favored Freudian interpretations which read Melville’s fiction too literally as autobiography; exaggerated his suffering in the family; and inferred a homosexual attachment to Hawthorne. They saw a different arc to Melville’s writing career. The first biographers saw a tragic withdrawal after the cold critical reception for his prose works and largely dismissed his poetry. A new view emerged of Melville’s turn to poetry as a conscious choice that placed him among the most important American poets. Other post-war studies, however, continued the broad imaginative and interpretive style; Charles Olson’s Call Me Ishmael (1947) presented Ahab as a Shakespearean tragic hero, and Newton Arvin’s critical biography, Herman Melville (1950), won the National Book Award for non-fiction in 1951.

Poster Old man cowboy You don't stop riding when you get old
Poster Old man cowboy You don’t stop riding when you get old

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