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The Child is mostly Tennis faux metal print basket laundry a work of animatronics and puppetry, although accentuated with computer-generated imagery (CGI). Legacy Effects, the special effects studio started by protégés of special make-up effects creator Stan Winston, designed the Child puppet and supplied the puppeteers to animate it during filming. The puppet cost about $5 million to make, and is relatively heavy due to the amount of wires and animatronic technology inside it. It is controlled by two technicians, one who operates the eyes and mouth and another who controls other facial expressions There are several stand-in versions for the Child used in filming in addition to the primary puppet. The crew of The Mandalorian wanted to use animatronics for the Child as often as possible. However, they also shot versions of the character’s scenes both with and without the puppet, so they had the option of replacing it with a CGI effect in post-production if the puppet did not look satisfactory. When CGI is used, Favreau said they try to make the character obey the same physical laws that he would if he were a puppet, adding: “I think a lot of times CG makes itself too obvious where you don’t create parameters creatively that allow the character to keep the same identity and charm.
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